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‘Frozen’ Animator Lino DiSalvo Taps Into Italian Roots With ‘Twisted’
“Frozen” head animator and longtime Disney veteran Lino DiSalvo is developing an animated feature that tells the coming-of-age story of an Italian teenager who teams up with a mythical beast to save her hometown from an evil curse.
Written by Kissy Dugan and produced by Emmanuel Jacomet for Mediawan Kids & Family with Italy’s Palomar Animation, “Twisted” is among the buzzy projects being pitched this week at Rome’s MIA Market, which runs Oct. 14 – 18.
Inspired by the tall tales DiSalvo heard growing up in an Italian American household in Brooklyn, the story is based on a holiday ritual in the Italian town of Andrista, where villagers perform an annual rite to mark the Feast of the Epiphany by hunting and capturing a mythical beast known as the Badalisc.
Describing what he hopes will be “a fun, big movie” as “super silly with tons of heart,” DiSalvo said: “I just want to bring my awesome, superstitious, loving, wonderful, rich history of growing up Italian to the big screen.”
“Twisted” begins in a small town in the Valcamonica valley in Lombardy, where for centuries the villagers have gathered on the eve of the Epiphany to hunt the Badalisc, a mythical, horned creature dwelling in the forests of the Alpine region. Once captured, the beast is paraded through the town, where he exposes secrets, gossip and petty grievances — a ritual that returns the community to peace and harmony for another year.
In DiSalvo’s telling, however, the tradition takes an unexpected turn. “Our movie picks up where everyone has gotten so sick of this guy revealing everyone’s secrets every year that they kick him out of the town,” he said. “This poor creature! He’s been the star of the show for hundreds of years, and…they banish him from the town.”
The Badalisc’s only crime is doing the one thing that comes naturally to him: telling the truth. “In his heart, all he wants to do…is be part of the community.”
Enter Angelina, a smooth-talking teen who works in the family pizzeria. “Her family has this expectation [that] she’s going to be the next prime minister, she’s going to be a fashion designer — things that Italian families want for you to ‘succeed,’” said DiSalvo. “The irony is that all she wants to do is make pizza.”
Unlike the truth-telling Badalisc, Angelina proceeds from the “flawed philosophy” that “it’s just easier to tell people what they want to hear.” “She basically lies to everybody,” said DiSalvo. As the plot kicks into motion, the young hero — with some help from the banished beast — will eventually be called upon to save the people of Andrista, a quest that gives rise to the central tension of the film: “Is it ever right to lie? Should you always be truthful, even if it means hurting someone?”
Now based in Montreal, the Brooklyn native drew heavily on memories from his childhood while developing “Twisted.” “I grew up in a family that had a pizzeria. All my life experiences took place in that pizzeria. It’s the lens that I viewed the world through,” he said. “Being a first-generation Italian American and belonging to a family that was traditional but also interestingly modern in their take, they had expectations for me. I was going to be the first DiSalvo not to make pizza.”
His success since then would do any Italian grandma proud. Recruited at the age of 20, DiSalvo spent 16 years at Walt Disney Animation Studios, where he served as head of animation on the Academy Award-winning film “Frozen” and worked as a supervising animator on projects including “Tangled” and “Bolt.” After leaving Disney, he served as creative director for Paramount Animation and later as the head of creative at ON Animation Studios in Paris. More recently, he directed and produced the Emmy-nominated Christmas special “Reindeer in Here” for CBS Studios and Paramount+.
For “Twisted,” he’ll join forces with Paris-based powerhouse Mediawan Kids & Family, which in the past year has been growing its slate of prestige animation.
“Ever since I mentioned it to them, Emmanuel Jacomet, the producer there, he’s been championing the project,” said DiSalvo. “He’s believed in it. The leadership there believes in it. Then they started giving me resources to put together writers and…bring my wish list to fruition.”
Early returns have been encouraging, with the animator and his Mediawan partners presenting “Twisted” earlier this year to industry audiences at Annecy and Cartoon Movie in Bordeaux.
“After we showed this proof of concept, the response from the industry has been awesome,” DiSalvo said. “It really warms my heart that theatrical distribution in Europe and South America, there’s a hunger for these personal stories that still feel fantastical and silly and comedic and action-based, told with a very specific point of view.”
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