Attending the Black Harvest Film Festival feels like a rite of passage—a celebration of Black storytelling that captures the spirit and resilience of our community. But...
I’ve never felt prouder to be a Chicagoan than when attending the 30th Black Harvest Film Festival. As Chicago’s premier Black film festival, Black Harvest serves...
One era’s trash is another era’s treasure. This becomes truer the deeper we get into the era of computers and automated, technology-assisted production. I’ve been thinking...
Mike Schur’s “A Man on the Inside” is a delightfully pleasant charmer, a comedy that’s almost calming as it drops into a tumultuous world. The co-creator...
Across the two features she’s made to date, Payal Kapadia has emerged as a luminous new voice in Indian cinema, exploring the personal as political through...
It’s been a long time since a “Call of Duty” game truly entertained me. Sure, I still play them every year, going on two decades now,...
Daihachi Yoshida’s “Teki Cometh” is the first Japanese film in 19 years to win the top prize at the Tokyo International Film Festival. The win reflects...
“Bringing Out the Dead” does not assert itself as an obviously religious film. and yet, it is borne from the ideological conflict of wrath versus compassion...
Attending the Black Harvest Film Festival feels like a rite of passage—a celebration of Black storytelling that captures the spirit and resilience of our community. But...
There was a wave of what could be called interactive animated films in the video game world in the 2010s, led by Telltale Games and their...
