“The Fall,” now finally available on Mubi and getting a theatrical release from the company, feels impossible. It’s one of those films that’s richly steeped in...
Presented in the New York Film Festival’s Currents section, a complement to the main-slate selection that traces “a more complete picture of contemporary cinema with an...
“Road Diary: Bruce Springsteen and The E Street Band,” director Thom Zimny’s latest documentary film about The Boss, is a peek behind the curtain of the...
When the lineup for a film festival is first released to the public, most of the attention gravitates to the big-ticket titles, most often the latest...
A beloved high school quarterback is fooling around with his secret girlfriend at her home. A sudden knock on the bedroom door startles them both. Petrified,...
In its sixth season, the existence of “What We Do in the Shadows” still feels like something we’ve taken for granted. The FX mockumentary had much...
There are many to choose from, but the indelible moment in the both quaffable and transcendent “Sideways“—Alexander Payne’s now 20-year-old bummer masterpiece adaptation of Rex Pickett’s...
We are pleased to offer an excerpt from the October 2024 issue of the online magazine Bright Wall/Dark Room. Their theme for October is Screwballs, and they’re devoting the...
“Welcome to Peeping Toms, New York’s newest and grooviest game!” – Brian De Palma, “Sisters” “You know your dick was hard the entire time,” Quentin Tarantino...
“The Seventh Victim” is almost certainly the only movie that opens with an epigraph from the master metaphysical poet John Donne: “I runne to death, and...
