Larry Karaszewski remembers it like it was yesterday. He and his writing partner, Scott Alexander, were having lunch in the commissary at Universal Studios, which had...
The revelation that purple-suited witch Agatha Harkness was the secret antagonist of “WandaVision” was a pleasantly surprising twist for the flawed yet entertaining Disney+ miniseries. Her...
The notion of a Batman show without the Batman is nothing new—we’re decades now into a bevy of largely unsuccessful attempts at fleshing out a Gotham...
I didn’t do much in the way of Midnight Madness writing this year. Not only am I going to get my fill of genre stuff at...
The end of my movie road in Toronto this year resulted in a mixed bag of three films that can’t really be connected thematically, so consider...
For decades, producer Ismail Merchant and director James Ivory cornered the market on period dramas and literary adaptations. Their movies transported viewers to bygone eras and...
Last week, in the center of the Toronto International Film Festival, an awards show unfolded that was among the most prestigious and star-studded of the year....
Three films that feel like they could be in the conversation come awards season comprise this Toronto International Film Festival dispatch of second takes on flicks...
In the Toronto International Film Festival’s documentary section, stories about fighting for one’s beliefs, dreams, and survival sit side-by-side on the schedule. From near and afar,...
We are overjoyed to present an excerpt from the new volume of critical analysis of ABC’s “Lost,” written by the great Emily St. James & Noel...
